Prompted by mcc, I’ve compiled a list of whatever weak narrative impetus my games have. I used games as listed in my aggregate, and removed those that are comprised of only surface, i.e. toys, or that are non-interactive.

• Runaway blast. Eradicate opposition.
• Where. Reach end.
• The lake. Discover mystery.
• NSBD console system. Use system.
• Campodecolor. Compose visually.
• Viewpoints. Explore possibilities.
• Hope! Embrace demise.
• Heart. Endure consequences.
• Colormatch. React instantly.
• The tomb. Discover secrets.
• Sheets. Explore possibilities.
• Allegr. Learn (forced) metaphor.
• Cave trip. Avoid obstacles.
• Walker. Reach end.
• Climbrunner. Reach end.
• Within. Remember.
• Gently. Ejaculate.
• Tumblecopter. Attempt control.
• Anything. Do (nearly) nothing.
• Wirewalk. Attempt stability.
• Prosopamnesia. Find face.
• Deconstructivism. Destroy beauty.
• nkytt. Get stuck.
• Doppelganger. Communicate.
• Runnerby. Reach end.
• Intervalo lúcido del individuo inconsciente. Don’t analyze.
• While telling with the eyes. Figure out.
• Frogs drink faces. Destroy menace
• (Sin asunto.) Write confession.
• January. Hopelessly fantasize. (Collab with Greg WS; I’m describing only my side.)
• han’you tokimeki. Hook up.

I originally wrote a super egomaniacal rambling here, but I’ve opted to save you the eye-rolling.